Jasmine Kara – Ain’t No More Room

Tim: Starts out sounding jolly and bouncy, this does.

Tom: And it keeps sounding jolly and bouncy! What a voice. You know, I reckon I prefer the verses to the chorus here – the simpler instrumentation lets her singing shine out, while the choruses seem a bit overcomplicated and repetitive. It’s strange for me to think that way – but then I’m a big fan of the neo-Motown style of tracks like this.

Tim: It continues in that vein, with none of the violence in the music that the video would imply. There’s a weird contrast there – hearing the music on its own gives a sort of ‘I’d quite like to go out with you, but unfortunately I’m just too busy to fit you in my schedule right now’, with it’s gentle lyrics and pleasant backing that you might hear on Strictly Come Dancing, but watching the video implies a ‘Get the hell out of here and if you come back I’ll kick the shit out of you’ that’s more Come Dine With Me.

Tom: Another strange thought for me: I think the video actually takes something away from the song. I reckon I’d be happy with just the verses and nothing else here.

Tim: And shame on her for chucking that iMac off the balcony – that’s a design classic! Jony Ive’s just been knighted, and she’s treating his products like that. Disgraceful behaviour.

Tom: Thus spake the Apple employee.

Tim: DESIGN. CLASSIC.

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    Tim Jeffries was born in the UK a good few years ago now, and regularly dreams of a Busted reunion.

    Along with good music, things he appreciates include the use of correct grammar, well-made banana daiquiris and shampoo for men that smells nice (which he still hasn't found). His favourite colour is what Dulux call 25YY 49/757, and his favourite member of the Felidae family is the snow leopard.

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    Tom Scott is a techie with extremely questionable taste in music. In his spare time, he has too many plans and a worrying tendency to make them happen.

    His greatest achievement was getting five gold runs on Blockbusters, which he still harps on about to this day.

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