Niall Horan – Slow Hands

“That’s an improvement.”

Tim: On Friday we wrote about Katy Perry going from a great track to a terrible track. Niall’s debut track, as we’ve already detailed, was utterly atrocious, which leads me, pleasingly, to be able to say that there’s only (wait for it) ONE DIRECTION (hahahahahahah you see it’s funny because he used to– yep– oh, you’ve got– okay, fine) he can go from there.

Tom: Well, like you guessed, that’s an improvement. I don’t think it’s all that good — it’s one of those songs where the middle eight is the best bit, which isn’t a great sign — but at least it’s not a dirge.

Tim: Indeed, and so the question on everybody’s lips is WHY THE HELL wasn’t that the lead single? This Town, deservedly, barely scraped the Top 10; it was beaten comprehensively by James Arthur, for God’s sake. This, on the other hand, is an enjoyable track, with life to it, a funky personality, and a happiness to hear it again.

Tom: I don’t think the phrase “funky personality” has been used outside early-90s episodes of Blind Date, but you’ve got a point there.

Tim: Apparently he wrote about 70 tracks for his new album, so hopefully he took the lesson from last time and will be binning off all the dreadful melty ballads in favour of lively music like this. Come on Niall, do the right thing.

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