Cheat Codes feat. Demi Lovato – No Promises

Tom: The big questions here: who are Cheat Codes, and how on earth did they get Demi Lovato? I don’t actually care, I’m just asking a rhetorical question to provide an introduction to this post.

Tim: Never let it be said we’re not brutally honest.

Tim: Yeah, that is quite prevalent, certainly. Any other views?

Tom: …sorry, that’s all I can hear, really.

Tim: Fair enough. Not a bad song, though.

Olly Murs feat. Demi Lovato – Up

“What’s not to like?”

Tim: So I don’t really know how Olly Murs end up being the main artist here and Demi Lovato being the featured one, but never mind, it’s happened now and we’l just have to live with the implication of that forever.

Tom: For a UK audience? That’s probably about right.

Tim: I suppose so. Doesn’t seem ‘right’ right, though.

Tim: Starts out as a typical Olly Murs song – not great, not terrible, possibly a bit annoying after a while. But then SHE arrives, playing the other half of the slightly rocky relationship and the singer of that lovely chorus, and it all turns magical. Well, not properly magical, but very good nonetheless, not least because it passes my duet requirement of having a happy ending – “that’s up”.

Tom: Yep, Olly Murs definitely has the rough end of this deal. He gets all the downbeat verses, which admittedly aren’t too bad, but…

Tim: But in comparison, not so great. Along with the nice ending, we’ve got her aforementioned lovely chorus, which has a nice simple join-in-withable lead into it, and that good “hold on to what you’re feeling” chanting bit.

Tom: Right. I mean, I still don’t think we’ve got a world-changing record here — it’s a nice chorus, not a spectacular one, but it’s pretty good.

Tim: But don’t forget we also have those myriad “yeah”s in the middle eight – basically it’s a song that we can all take part in and have a lot of fun. And smash stuff up to, often enjoyable. What’s not to like?

Demi Lovato – Let It Go

“You sure as hell won’t be able to concentrate on anything else”

Tim: Not Christmas, but very, very wintery. Lead track from the very enjoyable film Frozen, and to give it some context: sung by someone who’s just unleashed a superpower that’s been repressed for about fifteen years, to less than ideal results.

Tim: WOW. It’s not quite this much of a belter in the film, but it got rerecorded and stuck over the end credits. And boy, was that ever a wonderful decision.

Tom: So this is similar to Elton John’s absolutely brilliant version of ‘Circle of Life’ — albeit without the composer also being the singer.

Tim: Indeed. The lyrics probably won’t make much sense unless you’ve seen the film, but that music and that voice are undeniably brilliant regardless. Admittedly there’s room for more on top of the strumming guitar and drumbeat at the end, but damn, what a voice that lady has. And you know what? Even if you don’t think that backing’s enough for you: put this on in the background, work on something else, but when it comes back at the end you sure as hell won’t be able to concentrate on that something.

Tom: You know what, that’s pretty much exactly what I did.

Tim: This is a song that, despite not demanding it, will nevertheless get your attention. And that’s just great, because what song can hope for more? NO SONG.

Tom: As far as pop music’s concerned, I can’t disagree with that.

Tim: And to close off, I know we don’t generally (or indeed ever) do film reviews, but if we did, I’d say that this is the most heartwarming film I’ve seen in a good long time; if anybody’s put off by the fact that it’s a Disney animated film, you really shouldn’t be. It’s got more emotional depth than pretty much any grown up film I’ve seen, a storyline based in a classic fairytale and emboldened so much more, and enough LOL moments to make even the darkest periods (of which there are a few) very manageable. It’s fantastic. Watch the film, buy the song. That’s it, really.

Demi Lovato – Heart Attack

Three and a half minutes of just pure amazingness.

Tim: This is almost entirely amazing.

Tim: I say ‘almost entirely’, and I think we can all identify the one thing that’s pretty bad.

Tom: True, but then Demi Lovato is not the kind of artist you’d expect a key change from. Sadly.

Tim: Oh, well I don’t actually mind the lack of key change – the extraordinary “AT-AAAAAAA-AAAAAAYY-AAAAAAH” is more than enough for me. My issue was the line “I can play him like a Kindle”, but since I’ve just realised it’s “Ken doll” instead, I have no problems with the track whatsoever.

Tom: Ha. I heard the same thing, although I worked it out a bit quicker than you apparently did.

Tim: The whole thing seems to be three and a half minutes of just pure amazingness. GROO-OOH-OOH-OOOOO-OOOO-OOOOW. SHOO-OOH-OOH-OOOOO-OOOO-OOOOW. ATTAA-AA-AA-AAAAAAAA-AAAAA-AAAACK. FLAA-AAA-AAA-AAA-AAA-AAA-AAA-AAMES. AT-AAAAAAA-AAAAAAYY-AAAAAAH. ATTAA-AA-AA-AAAAAAAA-AAAAA-AAAACK.

What else is there to say?

Tom: Not much, which is probably for the best after you’ve belted all that out.

Tim: Don’t pretend you don’t want to join in.