Tim: After several years, several name changes and one line-up change, this lot have finally got an album; here’s the track to go with it, and unlike the journey so far there’s no messing about waiting.
Tom: Blimey, there’s not, is there? Full marks for that – I’m surprising, in this era of pop music, that more pop songs don’t do that.
Tim: No waiting for the chorus, and barely any waiting until the end of the song, what with it being just a couple of minutes.
Tom: Yep. They’ve basically just cropped it down, and while I think that’s for the best — songs should last as long as they need to — two minutes is putting this into “radio jingle” territory rather than “song”.
Tim: Unusual structure, binning off the first verse and the middle eight, and that works for me. It’s good, I think, that it is short, because it does get repetitive, and after a couple of listens the annoying bit does get really annoying – specifically, that pause in the chorus.
Tom: Oh thank you, it’s not just me.
Tim: No. It could work okay, but only if they didn’t completely break up ‘intoxicated’ – even if they’d just held the vocal it might have passed muster, but the total disconnection just sounds odd. So it’s an alright track, but I think I’m glad it’s not a full length track.
Tim: Here’s the thing about boybands and Eurovision: however good the songs might be, and however much of a reaction they might get from the live crowds, they tank. Last year, Joe and Jake came third from bottom, while Denmark’s Lighthouse X didn’t even qualify for the final. Fortunately, Sweden realised this when they binned off this otherwise really quite good one, from the band previously known as The Fooo and also as The Fooo Conspiracy (one of the Os left).
Tom: It’s rare that a boy band change their name more often than their lineup.
Tom: Okay, let’s get two things out of the way: “every time you bake I wanna eat cake” is an appalling first line…
Tom: …and in general usage “gotta” is short for “got to”, not “got a”.
Tim: Picky, but also true.
Tim: ANYWAY. We’ve had songs before that halve their BPM for the chorus, most notably Norway’s Eurovision entry last year, which didn’t make the final, and while this doesn’t do that it does kind of give the impression of it, going from a fast moving and heavy beating verse to an almost euphoric chorus. Unlike previously I really really love that: it creates all the impression of variety, but none of the actual disjoint that it would otherwise provide. And it sounds great as well.
Tom: Ugh, really? I don’t hear it: it all melds into one forgettable boy band number. It’s not even a One Direction album track, it’s one that ends up being passed down to… oh. Yeah, it’s one that ends up being passed down to FO&O.
Tim: There are drawbacks: the blonde one really needs to lose the Chesney Hawkes hair…
Tim: …the choreography should be a lot more polished, and while key changes are a bit passé they’ve missed a golden opportunity for one there. So all in all, Sweden: good decision, but it’s a shame you had to make it.