Tim: Much like our previous Saturday Flashback, this was heard whilst in France and released back in January. You’ll know of the artist’s work, although probably not by this name – born Alex Christensen, he released the dance version of Das Boot we reviewed a cover of ages ago as U96, and more recently he entered Eurovision for Germany in 2009 as Alex Swings Oscar Sings! Anyway, this sounds like nothing of either of those.
Tom: That really does sound utterly different, doesn’t it? I can’t believe that’s the same guy that remixed Das Boot.
Tim: I’ll go out on a limb: I’m not sure it’s really possible to dislike this.
Tom: Clearly you try not to read YouTube comments.
Tim: No – that way madness lies. Some people may wish it to be a bit heavier than it starts off with, and I’ll admit I was getting that way after two minutes, but when it starts to build up and then more or less becomes an entirely different song for a time it all seems great.
Tom: It does keep genre-switching, doesn’t it? It’s not like the quiet bit in Guru Josh Project’s Infinity: you can’t raise your arms up high to it in a club – it’s too long for that.
Tim: I don’t really know why it works – shifting genres, you certainly couldn’t stick a verse from a Lady Gaga tune into the middle of a Céline Dion song, say – and yet I think it really does. Love it.
Tom: I’m not sure it works. I’ll tolerate it.