Tom: This track out on Monday, and it’s been suggested by Gray, who writes:
My opinion of the song probably shouldn’t be brought up in polite conversation. I’m sure that’s somewhat self-explanatory. Though apparently she once vomited in Paris Hilton’s shoe closet, so there’s at least some redeeming value to her.
This is a textbook case of Nice Video, Shame About the Song. Full marks for the director here, if only for pointing out – in a fairly subtle form – that she’s blatantly ripping off the Sand Dance (or ‘that Egyptian standard snippet‘).
Tim: Certainly is quite a video, although I have at least one definite issue with it – given that most of it’s all metaphorical and probably arty and stuff, why is there a bloke throwing a bin when she sings about throwing bins around? The literalness just seems way out of place.
Actually, two – there’s nothing in the music to signify any reason at all why it should suddenly change from a standard walk/dance around video with normal people to one where everybody’s in a nightclub and made of paint. No change of key, rhythm, tone, lyrical mood, anything. So why does it? It’s as though they filmed half of it, then had a sudden realisation of ‘actually, this song really is shite, isn’t it? Hmm. Maybe we could try to make the rest of the video really awesome, and that’ll make up for it.’
Tom: To be fair, they’re not in a nightclub – they’re in a drained motel swimming pool. I’m not sure whether that reflects artistic choice, low budget, or a subtle dig at Kesha.
Tim: And a tiny third one – the first shot you see of her pulling whatever it is out of the car looks she’s suddenly grabbed an owl by the scruff of its neck, which is just plain nasty.
Tom: Clearly it’s hungover.
Tim: As for the music, well, as you say, it really is a shame. The verses are dire, with all twelve* lines in them going together to give the grand message: ‘let’s go get pissed.’ But of course, Ke$ha is special and well hip and famous and blingy, so she can’t do anything without a gold Trans-Am or, um, a water bottle she’s filled up with whiskey. Classy. Their only benefit is making the chorus seem almost hummable, although once you’ve heard it seven or eight times you don’t really have much of a choice.
Also, what’s with the fifteen seconds of Can You Feel It at 2:26?
Tom: Well, the rest of it’s ripped from the Sand Dance, she may as well take some other inspirations while she’s at it.
Tim: A final note: this song has inspired me to write a Definitive List of Music People I Hate. So far it contains Ke$ha, Flo Rida and Kanye West. I won’t deny that part of me wants to put Robyn on there as well, but I don’t think I can inflict that sort of company on her, no matter how inept she is at finishing a tune.