Saturday Flashback: Special D. – Here I Am

Quite what sort of thought process led to this I can only imagine

Tim: So then, Tom. What do you say to a good old fashioned Cold War political song reimagined as a mid-2000s dance tune? Check this, from 2005.

Tom: That is, indeed, quite special.

Tim: Isn’t it just? I was going to suggest Come With Me, but then I remembered this, which is (a) less well-known and (b) far, far, far more worthy of discussion. Quite what sort of thought process led to this reworking of Nena’s 99 Luftballons I can only imagine, but the tune is only half of it. The lyric “Here I am, my brand new track, I made it ’cause you want me back” suggests someone inundated with fan mail, rather than somebody who had a big hit two years previously and who since then had released a steady flow of mediocre and slightly appreciated tracks.

Tom: What gets me is that’s the main lyric. It’s not the intro bit, which would be just-about-acceptable, although perilously close to doing a Flo Rida. That’s the whole song. It’s a meta-track, a track that’s entirely about itself. I hate meta-tracks. It’s like Tamperer’s appalling If You Buy This Record – take a well-known song, add a louder beat and some different vocal samples, and churn out another track.

Tim: Then, given that everybody’s heard Operation Blade (even if they don’t know it), what comes out of his mouth at 2:25 is just brilliant.

Tom: “I haven’t heard that,” I thought. And then I realised that, yes, I had heard it.

Tim: The video of five hot girls in a car race is, well, just plain odd.

Tom: Not when you think about who the target market is. They know their demographics.

Tim: Oh, I’ve got no problem with that – as bland and usual an idea as any other dance video. It’s the details, though – their names, for example, start off vaguely logical, but then drop it completely. We have ‘Speederella’ being a bit like Cinderella, ‘Gasolina’ continuing a princess pattern, being a bit like (albeit considerably less pleasant than) Thumbelina, and then ‘Velocity’ is a bit like, um, a science lesson. Right. And the ‘Oh, you’re so funny, putting the turntable on the wrong setting’ exchange comes out of absolutely nowhere.

Tom: That just seems normal for me, and here’s why: I’m used to listening to long-form mixes, like Deep Dance – there’s an obscure Wikipedia article for me – where those get dropped in all the time.

Tim: Having said all that: I love it.

Tom: Annoyingly, I’ve got to agree.