Tim: It’s a song that starts quiet, builds up a bit, but you get to the chorus and you think “this has to do something good here”. And then…
Tim: Well. It wasn’t massive enough for me to go “oh, WOW”, but it was enough to keep me listening.
Tom: See, I really liked that first verse, and I didn’t think it overpromised it all — we’ve gone into a decent enough chorus for a slow ballad like this. For me, the verses kept me listening; for you, it was the chorus?
Tim: It was, yes – just enough to be good. Not special, but good. Until the ending, because oh boy, was I very glad I kept listening. Not just because I love that key change, but because I just did not see it coming. I genuinely can’t remember the last time I was so surprised by one – sure, it’s a textbook placing here, and if we were living in the good timeline maybe I’d be expecting it, but I think it was more that I’d reached the point where I was confident I wouldn’t miss anything when I went to the toilet.
Tom: Well, that was needlessly detailed. To be fair, you’re right: that “la la la love” was starting to get a bit old.
Tim: I’m fairly sure that means it slots in perfectly with the stereotype of “let’s throw in a key change to liven it up a bit”, but I don’t mind.
Tom: It’s what they’re for, really. And this song, while it is pleasant, does need livening up a bit.
Tim: Well indeed, and while it does liven it up, it doesn’t really save it entirely. Apparently he wrote it for, and then performed it at, his best mate’s wedding, with full choir, and while I can see it working well there, it just sounds a bit bland at home. Sorry, Robin. Nice try, though.