Tim: So you’re not disappointed when what could happen doesn’t: here’s a song that doesn’t live up to its potential.
Tim: I mean listen to it. The vocal’s great, the backing’s nice, throughout the first verse I’m sitting wondering what’s going to happen in the chorus. The pre-chorus comes along, we get a little extra in the backing, and then her voice ramps up a bit..and then 30 seconds later I’m thinking ‘so, wait, that was the chorus?’. I don’t want to be thinking that.
Tom: I had exactly the same reaction. I did not realise we’d even reached the chorus. And there’s nothing wrong with having a quiet ballad, it’s just that — based on prior expectations — this sounds like it’s going to grow into something bigger.
Once you manage those expectations, sure, it’s a decent quiet song with a bad sound mix. Those clicks from the piano keys and the overly-stereo effect aren’t helping its case.
Tim: I want to be thinking that this is our next Rachel Platten, that it comes with a chorus that is enormous, that leaves me stunned and desperate for more. I don’t want this. I’m upset, dammit.