Tim: Is it good noise? I’m not sure. I think it is.
Tom: I’m sure that it’s good noise. What I like is that these are chord progressions and melodies that you could hear in schlager, and drums that you could have heard in a Phil Collins track decades ago, but they’re applied to a really Intense Big Dark Modern Production.
Tim: It almost, in fact, reminds me of the dark days of dubstep five or six years ago, where we’d get a nice melodic verse and chorus before suddenly a HRRRRRRNNKK VWOMP VWOMP VWORP NEEEEEEEOOOOOWWW would come along and ruin everything. It’s not nearly as bad as that here, of course, not least because the only time it really happens so suddenly is after the first chorus – after that, I’m slightly prepared for it, and it has vocals layered on top which calms it down somewhat.
Tom: My only complaint — and let’s take a moment to appreciate how rare those words are here — is that because everything’s compressed so hard, the mroe subtle instrumentation gets swamped under the BIG NOISE. But overall, yeah, I really like this. It’s not BIG VWORP DUBSTEP, it’s something much better.
Tim: It’s also, obviously, nowhere near as harsh a sound, so, yeah, overall I think it’s good noise. Positive, at least.
Tom: I hit replay immediately after listening, and I sang along with the chorus. That’s everything I want in a pop song. This is great.