Tim: Starting in 1996, the queen of country schlager…
Tom: Wait, I remember saying that modern pop-country was just schlager with a mandolin! And now you’re telling me there’s actually a mixed genre of them?
Tim: Pretty much, yeah – and Jill is the absolute master. She used to release albums on a roughly annual basis, but nothing’s been seen since the end of 2016. Well, until now.
Tim: Pretty good return, no? Nice crash in for the chorus, with a strong “look, dickhead, appreciate what you’ve got and quit moaning” message.
Tom: It is, with the caveat that the part immediately before that crash-in gives me a brief, frustrating flash of either Radiohead’s ‘Creep’, or the Hollies’ ‘Air That I Breathe’. I know that’s a really specific complaint to have, but it’s some odd combination of the melody and vocal style, the particular chord progression those songs share, and the percussion. Listen to the “no” at 0:48, the “choose” at 1:35.
Tom: Anyway, yes, once I got over that and we got back to the chorus: it’s not bad! And schlager, even down-tempo schlager like this, is always fun.
Tim: Favourite part for me: those twiddly counter melody guitar bits right at the end, which just about stops it getting boring by repeating too much. It’s in danger of it, as I don’t think anyone would really complain if it stopped just before they came in, but it’s saved. And it stays a decent track. It’s good.