Michael Rice – Bigger Than Us

“That’s right: for the first time in a decade, we’re sending a key change.”

Previously, on Tim & Tom’s Twitter DMs:

Tim: In case you’ve not been paying attention to the UK’s contestants, we have three decent, one below average and two garbage.
Tom: and no potential winners?
Tim: Hmmmmmmmmmmmm…… There’s one with a good chance of ending up left side of the scoreboard, and another that’ll either be top five or bottom five.

Tim: Now then, Tom, prepare to hear that last one, which the Great British Public, given only the tiniest of tiny pushes by the stage designers, decided upon.

Tom: You know my test for British Eurovision entries, Tim. Is it as good as Love Shine A Light? Will the entire nation be singing it? Two decades from now, will one of us be visibly going berserk in the crowd, as the original singer belts it out a manner that’s reminiscent of a tent revival? (0:32 in, right hand side of the frame, incidentally, and several more times in wide shots.)

Tim: One of my finest moments, that – I think I look particularly strong at 1:01.

Tim: That’s right: for the first time in a decade, we’re sending a key change.

Tom: And a lot of innuendo. And at least an homage to the opening bit of See You Again, surely?

Tim: Hmm, vaguely, but nowhere as much of an homage that one of the other tracks had to Johann Pachelbel, that one was an embarrassment.

Tom: That said: it’s not a bad track. It’s not Love Shine A Light, it’s a bit generic, but it’s definitely not a bad track.

Tim: If you think it sounds familiar, it’s because three of its four writers also wrote the masterpiece that was John Lundvik’s My Turn last year – you know, the one where they made him look like the messiah. Now, to be honest, I’ve mixed feelings about this result: yes, it was my favourite of the night by a long way, I’m looking forward to seeing it on an enormous stage in Tel Aviv, and I like that I’ll be able to listen to it in the Music app on my phone. On the other hand: this isn’t a Eurovision 2010s song. Hell, it’s barely a ’00s song. It has a key change, for crying out loud.

Tom: At least he can sing live. And it’s a key change into a triumphant middle eight, which at least sounds a bit fresher than just doing the chorus one more time.

Tim: I suppose, if he tours all the national finals and gets it heard around Europe, and if it gets some amazing staging, and if any of the other big ballads aren’t as good, then it might do well – but those are some big ifs.

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