Tim: You may be expecting a Saturday Flashback round about now, but no! Since there are now less than three months to go until Eurovision 2011, changes are afoot: most countries have begun their selection process, and some have already chosen. There is of course only room for one song per country (which is kind of the point, I suppose) and so some otherwise excellent tracks will fall by the wayside, destined for album track obscurity (and some terrible tracks will go forward, but that’s a whinge for another time). Anyway, we feel that many of those deserve more attention, and we start with a song that got kicked out of the first heat of Melodifestivalen in fifth place* a couple of weeks back.
Tim: OMG indeed. A disappointing exit, as right from the get go it was by far and away the most enthusiastic performance there was that night.
Tom: Enthusiastic, to be sure, but I can’t help but start singing ‘Spaceman’ by the Killers every time they start on the ‘oh, oh, oh’ bit of the chorus. Or the ‘don’t stop, push it now’ from The Sounds’ ‘Tony The Beat’ over… well, all of it.
Tim: Hmm, maybe, but what with the colours, the outfits, the dancing and singing liquorice allsorts and the ejaculating cupcakes, it’s basically everything we know and like about Le Kid.
Tom: It is that. I can’t help but like it – although that is, as I’ve mentioned before, partly due to the attractive women in low-cut outfits. But despite all that, I think Sweden made the right decision here. It’s happy, it’s bouncy, but it ain’t a Eurovision winner.
Tim: Maybe it was just too much – who knows.
Tom: Where was the key change, Tim? There should have been a key change.