Tim: Second single from the upcoming album (which, I’ve since found out, is getting the profits donated to a mental health organisation, so it’s not icky after all).
Tom: They didn’t really get off to a flying start with the first single, so I’ve not got high hopes.
Tim: Piano dance is so ten years ago, country guitar so five years ago, so right now we’ve got, well, this.
Tom: Ah, a Eurovision entrant. Specifically, the type that uses some traditional instrument and scale for one bit while otherwise adhering to European pop norms.
Tim: It is a bit odd, isn’t it? Well, to most Western European ears at least. Took me a few listens to enjoy this, for that and also the same reason Wake Me Up took a bit of getting used to: it’s just so different, and so initially janky from one style to the next, that it seems almost irritating. After a couple of times, though, it kind of works a bit, in the way that I at least appreciate both bits individually, and am more or less okay with them being mixed up, I guess?
Tom: There are some really inspired parts in here. Okay, there’s one really inspired part in here, and it’s one chord progression in the middle eight. Maybe I would learn to love it, but I just don’t think I’m going to give it that chance.
Tim: Reading that back it comes across quite harsh, but I do enjoy it. Kind of.