Tim: So, for some reason I thought this had been very successful internationally, but then I checked the figures and apparently no – BWO have only had two charting hits over here, both of which peaked, rather nicely, at 69.
Tim: This track wasn’t one of them, but it came a close second to Carola’s fabulous Evighet in Melodifestivalen 2006, and it is what the kids today call a PROPER BANGER.
Tom: I was going to say “tell me it’s a bit stronger than the Enyaesque track last week”, but it’s BWO, so it will be.
Tim: Right from the off we are heavy in on the dance beats, with a good vocal, colourful lights all over the place, dancing around everywhere, all reinforcing the idea that this is a song to be danced to, very physically. Hell, the title alone sounds really quite rude, and although I’m normally all in for that sort of thing this is meant to be a family show.
Tom: This is exactly what I expected, including the fact that it peaks far too early.
Tim: Right – thing is, it could easily have finished at the 2:37 mark. We’ve already had a middle eight and a final chorus, and if all you’re following it with is an instrumental second middle eight and another final chorus, is it necessary? Perhaps not musically, but performance-wise, given that we haven’t yet lit the flares by the walkway he uses at the end of it, yes, it is entirely necessary. This is, all in, a song that would get me right down on the dance floor, not even slightly caring what people think of me, and that’s really all I look for in a dance tune.
Tom: I mean, yes, I would dance to this, although it’s not something I’d put on a playlist.
Tim: Incidentally, on keyboards you may notice a certain Alexander Bard, perhaps better known as a member of the band Army of Lovers, but who has more recently ditched music and gone from synths to syntheism, a movement about how atheists can still feel as good as proper religious people do, or something. I dunno, he’s written a book about it.
Tom: If it doesn’t have a walkway with flares on it, I’m not interested.