“YES HONESTLY CAN’T YOU SEE I’M ENTIRELY FINE, FINE IS WHAT I AM, I’M FINE”
Tim: NOTD, a Swedish production duo we’ve featured a couple of times and who are just starting to make waves over here, and Nina Nesbitt who’s off Scotland and has been fairly successful over the years. Together, this.
Tim: Love those lyrics, with the great sense of self-denial, going through all the possible reasons she could be crying with the sole insistence that it’s not You, until at the end we’re stuck wondering who she’s actually trying to convince, the target of the song or actually herself.
Tom: I’m not quite as convinced by the lyrics: I recoiled slightly at that “issues / tissues” couplet at the start of the second verse. And I’m not sure “outstanding” works in that chorus either. But setting that aside: does this sound a bit like it’s in the spirit of “Dancing On My Own” to you? It’ll never be as good as Robyn, of course, nothing could be, but it’s in that spirit .
Tim: It does, yes – both songs have a “look at me I’m doing fine without you YES HONESTLY CAN’T YOU SEE I’M ENTIRELY FINE, FINE IS WHAT I AM, I’M FINE”. It’s a hell of a song musically as well, mind – really good beat, and melody, and production, and I can absolutely see why they’re getting big over here.
Tom: The fact I’m not immediately slating it with that Robyn comparison means it must come off fairly well. There’s a lot to be said for this.
Tim: Alan Walker has a new one out with A$AP Rocky right now, and sadly it’s utter garbage.
Tom: Which is an achievement, given you’ve previously said “as long as Alan had full control of everything there’s only so much that could really go wrong”.
Tim: Well, that one’s equal billing, I still stand by it. In any case, this is quite Walker-y.
Tom: That verse is a bit Ellie Goulding, isn’t it? Not massively, but just enough in vocal quality, production and style of synths.
Tim: We’ve featured NOTD previously, though not Shy Martin; she’s also Swedish, and previously has mainly kept herself busy with writing. Together they provide a nice melody, good vocals, top production, and a total and expected lack of middle eight.
Tom: Not sure about the Alan comparison though: guitar wasn’t exactly a common thing for him to include.
Tim: True, but it certainly shares a lot of the same synth sounds and patterns. It’ll do nicely, either way – certainly better than Alan’s new trash.
“There seems to be a massive dearth of listenable new music, so let’s have it.”
Tim: Now, this is a track I’ve had waiting for a few days, and I like it, except I have basically nothing to say about it. However, there seems to be a massive dearth of listenable new music, so let’s have it.
Tim: In case you’ve lost track, this is the Tove who gave us the delightfully romantic Brains Out – a song that is, seven years on, still one of my favourites featured here, both video and song. This one – well, it’s very much of the it’ll do variety.
Tom: You might even say ‘been there, done that’.
Tim: It’s a decent track, entirely listenable and danceable – but I’ve really nothing to say about it. Sorry everyone.
Tom: And neither have I. Right. Tomorrow, I’ve sending you something CONTROVERSIAL.