Tim: Two options for you here: the regular version, which is a fairly nice piano ballad, or the UK Radio Edit, which is much more BANGING. Which would you prefer?
Tom: I feel like I’m being given a choice so obvious that it’s going to backfire, but: BANGING. OF COURSE.
Tim: That is the CORRECT answer.
Tim: So, presumably hoping to cash in on her continued success on Dancing On Ice, this has been released to UK stations, where it’s had, erm, well, not much success, but never mind, because this really is a track and a half.
Tom: Are you sure? I mean, it is certainly a track, I’m just wondering where you’re getting the other half from.
Tim: It’s very much in the ‘be true to yourself’ vein (so much so that the video for the original version was made in conjunction with the trans support charity Mermaids) and it’s nice that it works on two levels – the ‘shout the chorus line’ level which gives it a standard ‘let’s have a hell of a good night’ vibe, and the deeper lyrics in the verses where the more personal stuff comes out.
Tom: I think you may have raised my expectations too high by describing this as BANGING, Tim.
Tim: Well, technically I described it as ‘more banging’, but yes, fair enough.
Tom: There’s nothing actually wrong with it, and the message is laudable, but it’s very much a standard ballad without much else to say for it.
Tim: Incorrect, it is a BEEFED UP version of a standard ballad, and so musically, I also love it: the standard banging ballad formula of a quiet first verse, crash in with the chorus, slightly less quiet second verse, and so on, and she’s got a voice that suits that formula brilliantly. All in: this is great. Properly great.