Samir & Viktor – Vi gör det ändå

“They know what they’re doing, and they don’t mind.”

Tom: They’re still going! And this is going to be studio singing as well, so it might be half-decent.

Tim: “We’ll Do It Anyway”, reckon the duo, as they celebrate 100 million streams in the video for their new one. Didn’t know that was a thing, but I suppose it makes sense, really, with streaming having vastly overtaken purchases (at least in Sweden – as far back as 2014, streaming made up 80% of all music revenue there).

Tom: Fair play to them for reading out negative comments in the first bit of the video. They know what they’re doing, and they don’t mind.

Tim: Full marks for laziness in the video, which seems to consist purely of unused shots from previous videos, which I think is even lazier than using tour footage – at least with that effort gets put in to film it. Here: nah, let’s let’s rummage through the trashed clips.

Tom: Hey, they could have just used stock footage that wasn’t of them. At least someone bothered to root through the files.

Tim: Hmm, I guess that’s true. Songwise, though: well, it’s what you think of when you imagine a typical Samir & Viktor track, really. Loud, brash, just musical enough to count as a song (with a lovely surprise key change in there).

Tom: Harsh. “Just musical enough” is pretty close to “not musical enough”, and this is at least a traditional pop song, and one that at least made me smile on the key change. For a song to get any emotional reaction out of me is rare, so I’ll give this one at least some points.

Tim: Oh, I’m not saying it’s bad, just similar – sure, there’s some difference in the styling, as we had between Fick Feeling and (the considerably superior) Kung, but overall, it’s like they say in the lyrics: “they said I couldn’t dance, I couldn’t sing, but I wanted to show them”. But it works. Just about.

Samir & Viktor – Kung

“Exactly what we’d expect from them.”

Tim: Viktor off these two had a solo song out recently; it was a bit rubbish to be honest, all gentle guitary and ballady and basically bollocks. HOWEVER, they’re back as a duo, sounding GREAT, and also a bit offensive: an English/Swedish f-bomb right from the get go, and a couple of Swedish ones in each chorus. And some spelt out in the video. Basically, if you’re a prude, come back tomorrow.

Tom: Okay, let’s got one thing out of the way: that’s a really irritating introduction, with what sounds like a tin-whistle and a rewind. But the mood’s pretty clear.

Tim: Indeed – PARTY PARTY PARTY because that track has got me enthused enough to clap my hands above my head, not a frequent occurrence. As with most of their songs. as long as the vocals have been tweaked for a studio recording it sounds really good. Well, good enough for what they want it to be, anyway.

Tom: I’m not sure any of the individual parts match together: the verse, pre-chorus, chorus and middle eight all sound like they’ve been brought in from different songs.

Tim: Hmm – there’s certainly different styles between them, you’re right. But regardless, it’s exactly what we’d expect from them – enthusiastic, getting everybody involved (particularly with De Vet Du joining them in the video for no apparent reason) and a fair amount of people getting their kit off.

Tom: I know very little about De Vet Du, but between Road Trip and this I seem to have taken an instinctive liking to them. They know they’re being ridiculous, whereas Samir and Viktor just seem to be trying a bit too hard.

Tim: When it gets results like this, though, I don’t mind extra effort. I’m very glad they’re back together and PLEASE don’t take a break again.

Samir & Viktor – Fick Feeling

“We’re back, Sweden’s wondering why”

Tim: The follow-up to their Melodifestivalen entry, the lyrics begin “We’re back, Sweden’s wondering why,” so at least they’ve got some self-awareness. The answer to that question, though: they’ve Got The Feeling.

Tim: In fact, in the words of that chorus, “I’ve got the feeling, you’ve got the feeling, we’ve got the feeling, nothing can stop us.” And as a soundtrack to a summer party night, this is pretty good stuff.

Tom: All the way through this, I was thinking “it’s basically the same song as their last one” — but then I listened back, and I was wrong. It is completely different. So why does my brain think I’ve heard it all before? Aside from the fact that it’s basically just shouting about partying.

Tim: It doesn’t matter that it’s closer to shouting than singing, because it should be shouting. Shouting about lying on the beach, bass pounding from the phone; about skipping work and going to a festival instead; about how the sun shines and you don’t feel guilty; and most importantly, about how “everything is better with a saxophone”, because yes, that actually is the lyric and it actually is the case.

Tom: They’ve made that case before, too, and with a bit more swearing. I think this feels familiar to me because, quite simply, it’s exactly what we’ve come to expect from them.

Tim: The instrumental part gives me a similar feeling to the one in Bada Nakna – not enjoyable on its own, but perfectly well suited. What we have here is a PARTY TRACK that knows it and is advertising itself as exactly that. And it gets the job done very well indeed.

Samir & Viktor – Bada Nakna

“Swedish Jedward.”

Tim: I didn’t realise until I looked it up just now, but the song title translates to “Skinny Dipping”, which suddenly brings a whole lot more sense to the performance.

Tim: That’s the performance from the final, there, which differs from the first heat and from Andra Chansen in that here they pull their trousers off as well as their tops, getting even more in the mood.

Tom: My assessment of them as Swedish Jedward holds true.

Tim: Another thing non-Swedes might not get: the first line of the chorus talks about getting your kit off in Sergels torg, a location that’s basically Stockholm’s version of Trafalgar Square. So now we know what sort of song it is, we’re in a better place to judge it.

And you know what? Despite their decidedly off point vocals, it’s a pretty good song, as we’d expect from the writers: one of them had a hand in Undo and another brought us Guld och Gröna Skogar, so we shouldn’t really be going wrong.

Tom: Yep, you’re right. But this got zero points from the juries. It shouldn’t be going wrong…

Tim: …and yet, it is. The problem, of course, is that it’s being sung by two guys who, while admittedly being very good looking and energetic, manage to hit approximately a quarter of all the notes.

Tom: Which is such a shame! I looked up the studio version of this and — when they’re not doing the vocals live — it’s actually a really good track, in the same way that Jedward’s “Waterline”, with its similar staging, was a really good track. If they could sing, this would have been among my favourites.

Tim: We’ve pretty much got a song that only one act could pull off, and yet they can’t sing particularly well. You’re right – Jedward all over again. Oh, well, into the dustbin of musical history you go.

Samir & Viktor – Groupie

“Is that deliberate? It… it must be deliberate. Surely?”

Tim: This isn’t necessarily one of the best songs we saw at the final, but I’d like to write about it, primarily because I want to see your reaction when I tell you that this duo consists of a reality TV star and a fashion blogger, and the performance involves liberal use of selfie sticks.

Tom: I’ll allow it if they live-stream video from the cameras on the end of the selfie sticks.

Tom: Oh, they did! Well done.

Tim: BUT, you’ll be pleased to know that despite the mentions, the song is not about the virtues of taking a selfie; more about the importance of discarding those in favour of ‘groupies’, so that’s alright then.

Tom: Groupies“? Really? Is that deliberate? It… it must be deliberate. Surely?

Tim: I would imagine so, yes – presumably intended as some sort of hilarious pun, as indicated with the repeated chorus at the end: “stand up, take out your cameras, stand up, we’ll be taking a groupie tonight”.

Tom: Good luck with that, you’ll need it. But despite their poor choice of wording: I feel like this song is already dated. I feel like this song could have come out last year, and it’d still sound dated. It’s like this horrible song about AOL Instant Messenger.

Tim: I started listening, then quickly thought it couldn’t get worse than all that giggling ten seconds in. Boy, was I wrong.

This, though: yes, it may get dated quicker than a pint of milk left in a sauna, but it’s basically about having a lot of fun with your mates, and with all the bright lights and colourful blocks it was a brilliant opening to the final.

Tom: Yes: as a way to get a crowd, and an audience at home, excited — I can see it working. But I’m glad that’s as far as it went.

Tim: I suppose it’s a bit like John Barrowman’s opening of Tonight’s The Night, really, except actually listenable.

Tom: That’s the second terrible Barrowman Comparison you’ve done on this site.

Tim: Hahaha, somehow I’d forgotten about that. LOVELY.