Tim: Okay then. Here’s a song whose chorus line is incredibly specific and not really relatable; fortunately, it sounds brilliant so we can at least all enjoy it.
Tom: “Slushii” and “Marshmello”. Okay. Let’s get through this…
Tom: …damn it, I like it, and I dislike the fact that I like it.
Tim: Obviously, no self-respecting pop singer would release a song that makes no sense, so I think what we need to assume is that he’s just broken up with someone who has an identical twin, and now wants both of them, rather than just the one. Was that what prompted the breakup in the first place? Well, we’ll probably never know, but if it was he’s really not helping his case here. Also not helping his case: the sheer number of times he sings “I still miss you” – Mr Slushii, 39 times is TOO MANY.
Tom: And this should really, really irritate me! To be honest, it does! But all the ridiculous bubblegum synths and euphoric-build-noises around it somehow make it okay in my head.
Tim: And also, “if I’m here, will you be there” – is he, what, seeking knowledge that as long as he doesn’t move, she won’t go anywhere, even though she’s somewhere completely different? Oh, I don’t know, maybe this whole thing is a nonsense after all, particularly when his twin brother comes along at the end.
HOWEVER, now that we’ve entirely failed to get that sorted, let’s move on to the music, which I’m fairly sure is entirely brilliant, yes?
Tom: Aaaaagh, yes it is, although I increasingly want a version of this that doesn’t have as many ‘STILL MISS YOU’s in it.
Tim: Sensible introductory beat and then melody to let everyone know that yes, this is indeed a song to be danced to. And then when that dance beat comes along, the heavy synths that indicate “really, you should be dancing to this”, then that really is just a great CHOON. Is that still a word? I don’t know, but if it is then this is one. And if it isn’t, well this still is anyway. GREAT STUFF, though I really could do with an instrumental.