Olly Murs feat. Snoop Dogg – Moves

“Ugh, WHY.”

Tom: Okay, we’re talking about this. I know it’s been months since it came out over here, I know we said we’re not going to talk about this, but we’re talking about this.

Tim: Ugh, WHY.

Tom: Because I drove through Sweden and Denmark the other day, Tim, and this is in heavy rotation on many radio stations. I heard it four times, including once on the shuttle bus back from the airport that was apparently tuned to an easy-listening station. It’s not even in the charts there. The radio just loves it.

Tim: Hmm…ermm…sorry, just trying to think of a time when we’ve ever even slightly bothered about before. Struggling, I’ll be honest.

Tom: And not only that: it turns out there’s a new trend in music videos, which is a separate vertical video. WELCOME TO THE LATE 2010S TIM.

Tim: 🎉🎉🎉

Tom: Okay, let’s get it out of the way: hearing Snoop Dogg shout out Olly Murs is really, really strange.

Tim: Although less strange than Flo Rida doing a school register call out of the Saturdays.

Tom: Does this track sound a lot like Feels? Yes. Does it have the unmistakable smell of Sheeran all over it? Also yes. Are the lyrics bloody awful in places? Also also yes.

Tim: Yes yes yes.

Tom: But here’s the thing: I didn’t turn it off, at least not the first time I stumbled across it while radio-scanning. It is a very competent track. I’m not going to say it’s necessarily good, but I’ll be damned if it isn’t catchy, excellently produced, and absolutely made for radio airplay. And that’s still a valid way to make a track work: you don’t need to convince the public, just the people in charge of radio playlists.

Tim: It’s short. I’ll give it that.

Europlop’s Sunday Mashups: Vol. 2

Thirty years of pop culture in three and a half minutes.

Tom: It’s been a few weeks, so let’s have some more mashups. First of all, here’s Miracles by Norwegian Recycling.

Tom: It’s one of those genius mashups that pulls in a dozen different sources to make a coherent whole. It doesn’t really seem to go anywhere, or do any building, but it’s just rather pleasant to listen to. It’s a run through thirty years of pop culture in three and a half minutes, and the video brings it all together nicely.

Tim: Ooh, I like that – I’ve always quite liked mashups that pile in a whole load of songs together just to see what happens, such as the United State of Pop ones, and Party Ben‘s Boulevard of Broken Songs, and this one pulls it off well.*

* There’s also Axis of Awesome’s Four Chord Song, which whilst not actually being a mashup is still fun to listen to.

Tom: There’s been some very clever autotuning on Cee-Lo Green, as well; while it still sounds like him, I’m fairly sure those aren’t exactly the notes he was originally singing…

Tim: Well, with so many songs you’re bound to need a little pitch correction on there just to keep them in the same key, surely.

Tom: No, it’s more than that: I think they’ve actually got him singing a different melody, not just a different key. I might be wrong, though.

Tim: The only thing I dislike about it is the Jason Derulo track – it’s one of his better ones, but it sounds like he forgot to write words to half the chorus, which gets me every time I hear it.

Tom: Second up, here’s a simple A+B mashup by Sam Flanagan. It’s called “Brimful of Bonkers”, and that tells you all you need to know really. Oh, but watch out for an unexpected cameo just after three minutes in.

Tom: It’s easy – there is, of course, not even any pitch correction to do – but it’s still a hell of a party tune. It could use being a bit shorter, but it’s good enough that I don’t really mind.

Tim: I thought that as well – it could easily lose the first verse/chorus, since it’s identical to the second. Anyway, you’re right, it is good, especially the cameo.

Tom: I know both the original songs off by heart, which normally would just make a mashup like this confusing – but this is just pulled together so nicely that it doesn’t matter.

Tim: Personally, I prefer it when I know the original songs – you get to think ‘Ooh, this is fun – never thought of these going together.’ And speaking of knowing the original songs, here’s a mixture of two Europlop favourites merged together by Benji of Sweden (apparently he’s the only one in the country) to form one big Bromance Killer:

Tim: Aside from the Radio Sweden jingle (which is surprisingly nonintrusive anyway), I think it’s ruddy marvellous, with him still managing to keep the big Lovekiller climax and all the energy that was originally there. Well done Mr Sweden.

Tom: Wow, that’s a belter. Bromance itself is steadily picking up more and more airplay and traction in the UK – the vocal remix with Love U Seek gets released on 25th October, which means it might well be a Big Autumn Hit.