Tom: I wouldn’t normally send over a deep house song, Tim, but I heard this track from 2014 for the first time, and it stood out to me.
Tim: Any particular reason?
Tom: Because every single individual part of it is irritating, and yet somehow, I like it.
Tom: Who seriously picks synth patches like that? Who decides that a distorted foghorn should try to become the sound of the summer? Who adds a tweeting-bird-car-alarm effect last heard when Dario G remixed Jeff Wayne? Who writes what is basically a two-note melody?
Tim: So, I get your point, and I don’t know how to answer any of your questions with anything other than “well, this guy”, but it was a big song. And it might only be two notes, but it’s a catchy melody nonetheless, and that I still remember five years down the line even though I’ve probably not heard it much since.
Tom: You do? Huh. I missed it somehow. Which rather takes the wind out of my big question — who gets it into the Top 20 in the UK, and to number 2 in Belgium?
Tim: Well, it’s as you said: somehow, you like it. And so did a lot of other people.