Tim: I said on Thursday we hadn’t featured Tone for ages; that’s largely because she’s been fairly quiet recently. Having said that, though, she did have this one for Norway’s Melodi Grand Prix this year, which somehow I didn’t see. Take a listen, I’ll think you’ll like it.
Tim: And isn’t that just a wonderful reveal? For the first few seconds I’m thinking “that staging’s weird, but okay I guess” but then I forgot about it and paid attention to the song, and then the chorus starts and oh, that’s a cheap way of doing it but right there you’ve got two for the price of one on shivers moments.
Tom: I was half-expecting them to have built the circular window to split in two, so the steadicam shot could continue ‘through’ it — but that shouldn’t take away from it, full marks to the staging team, they absolutely nailed that.
Tim: Didn’t they just? And then there’s something similar later on, so STOP NOW if you’re reading ahead, you’ll see it when it comes.
And there it is! A key change which I entirely didn’t see coming (and if you’ve read this far before it’s happened and have thus had it spoiled you’ve only yourself to blame), and some sparks flying out as well. Again, hardly a novel concept, but still lovely to watch and hear. As for why it didn’t win…hard to say.
Tom: I think it’s that the verses are, frankly, a bit dull. Now, you might argue that they have to be in order for that build and chorus to work — but I think you’d have lost everyone on that second verse.
Tim: I don’t know, you say that, but the eventual winner was in a similar style, though with even more of a contrast in volume between verses and chorus. Arguably this isn’t a Eurovision winner in any case – but it’s a lovely track all the same.