Sam Bailey – Compass

Dull, tedious, and sung with far more emotion that it could possibly warrant,

Tim: A good five months earlier than typical, here’s last year’s X Factor winner with her first proper song.

Tim: Why so early, you may be wondering

Tom: When someone wins the popular vote every single week, the record company’s wanting to make their money so quickly?

Tim: Well, there’s that, but there’s another biggie: she’s never going to appeal to teenagers, however much of a makeover she gets. The next best thing, therefore, is female, mid-30s plus. Of utmost importance, then, is to get something out there for the single most important day of the year: Mother’s Day.

Tom: Oh. Oh, that makes sense.

Tim: Yes – first track out now, you’ll have your album of covers well on the way to being wrapped up at the end of March.

Tom: And promptly there’s a number 1 album on the charts.

Tim: This, a cover of a song originally by Norway’s Didrik Solli-Tangen, of 20th-at-Eurovision-2010 notability, sits perfectly on it.

Tom: I still say he was robbed.

Tim: Absolutely – for a start, at thirty-six seconds I think he’s set the Eurovision record for a steadicam shot.

This, in remarkable contrast, is dull, and tedious, and sung with far more emotion that it could possibly warrant, but it’ll get countless dads looking at it in Asda and thinking “yeah, she’d love it if our son gave that to her”. And that, after all, is what counts.

Tom: That’s entirely cynical and entirely right. To be fair, I don’t think I can call it “dull and tedious”: it’s a by-the-numbers love song and it’ll sit in the background, but with that much big-voice it’s probably going to be the first-dance song at a couple of weddings in a couple of years’ time.

Sam Bailey – Skyscraper

Come the middle eight, BOOM.

Tim: Another year of X Factor, and for some reason the same song that Union J would have had last year. Also, the lowest-selling Christmas number one since Robbie Williams and Nicole Kidman did Something Stupid twelve years ago. (See what I did there?)

Tom: The charts are pretty much broken these days, what with downloads and YouTube. Still, there’s still a place in the history books for Christmas Number One. So, the same as last year?

Tim: Sort of, anyway – it’s weird, but for the first two verses and choruses, this was just fairly dull, really. It’s emotionally lacking, unlike Demi Lovato’s original, and it’s not big instrumentation to make up for that like Union J had.

Tom: Oddly, I haven’t heard Skyscraper before — it completely passed me by. I didn’t see why it’s much of a winner’s song until hearing the original: it didn’t seem all that memorable, or a Big Number, until it had Demi Levato’s emotional vocals behind it.

Tim: On the other hand, come the middle eight, BOOM. It’s as though the whole song dials it up a couple of notches: the voice becomes more impressive, the backing really kicks in, and it suddenly becomes worth listening to. I actually like it somewhat, and I’d certainly stick it on an X Factor playlist. Might even put it on a regular playlist, though only if I could be sure I could skip to the good bit each time.