Saturday Flashback: Matthias Reim – Tattoo

“I have to admire the chutzpah of a man in his sixties who’s still rocking the boy-band haircut and denim jacket.”

Tim: Last October Matthias brought out a new album, MR20; why, exactly, he didn’t leave it until this year just for dating’s sake is beyond me, but hey ho. Eiskalt was the fabulously unnerving lead track; here’s the second single, that got released with the album.

Tom: I have to admire the chutzpah of a man in his sixties who’s still rocking the boy-band haircut and denim jacket. Germany continues to be, as far as I know, the only nation where it’s possible to pull that off, ironically or not.

Tim: Well, let’s get the obvious out of the way first and say that it’s no Eiskalt, a song I still listen on a frequent basis; it is, on the other hand, still a pretty good Matthias Reim track, right bang in the middle of the schlager rock groove he’s carved out for himself, and I like it a LOT.

Tom: I can see why: it’s exactly the sort of Europop we like here.

Tim: Now I mention it, in fact, the whole album’s worth a listen if you get a chance; I’d recommend some highlights but that’d imply there are some lowlights, and, no.

Incidentally, there’s a German person I work with, and when I mentioned Matthias to her she was initially surprised he was still going, and then just looked at me with a sense of mild disdain.

Tom: I did wonder what Germans in general think of this: with a million views on YouTube, there’s clearly an audience — but then, there’s an audience for a lot of things that the world in general holds in poor esteem.

Tim: But I don’t care: my name’s Tim and I’m a Reimer. And if there isn’t a word for his fans, I’m having that one.