Alex Järvi – Lost Boy

“I know there’s a fashion right now for the old VHS filter, but come on mate, know when to stop.”

Tim: Since you left me, I’ve got nothing, I’m empty, blah blah blah, Alex would like to elaborate.

Tom: Sure, let’s apply lo-fi VHS effects to portrait mobile phone footage, where you can literally see the phone in the mirror. That makes sense.

Tim: Oh, there’s more to it than that – that’s just a plain weird video. Like, is the point of it to show that he’s so distraught he’s learnt how to use all the garbage effects in Windows Movie Maker and waste time hunting down crap GIFs and bits of old anime series? And if it’s not him doing that himself because he’s so broken, has he (or, I guess, Universal) paid someone to do that? Really? Because I know there’s a fashion right now for the old VHS filter, but come on mate, know when to stop.

Tom: I got irritated enough by those effects that I moved it to a background tab, at which point the song… didn’t seem to have much left to interest me.

Tim: Oh, see I think it’s quite a nice song – and I’m almost surprising myself saying that, because the genre is decidedly Not Me, but the song works.

Tom: Really? What stands out for you?

Tim: The chorus in particular has got a really good melody to it, and his vocal definitely conveys the message in the lyrics – and the production at the end, when everything’s coming together in the final chorus, just sounds great. Top work.

Alex Järvi – Förlåt

“I know this opening chorus line, Tom. Where do I know this chorus line from, Tom?”

Tim: I know this opening chorus line, Tom. Where do I know this chorus line from, Tom?

Tim: Actually, it’s probably from a lot of places, because ‘one note repeated many times in quick succession’ isn’t exactly a rarity, but whatever.

Tom: See, I had an answer there, but then you went and made things complicated.

Tim: This song’s an interesting one – it starts out not doing much, but then 37 seconds in we’re suddenly ooh, building up to something, and then the something happens, and it’s not actually all that much, but are we still building up, because it feels like there might be something, and then does that count, maybe, not really sure, and then oh no we’re back with the verse and not much happened but it was enjoyable enough.

Tom: Yep, that was an underwhelming chorus.

Tim: And actually, I think that sums up the whole song for me: not much happened but it was enjoyable enough.

Tom: Full marks in the middle eight for dropping in two English words, one of which was an f-bomb, though. I checked the lyrics, and yes, that’s the only English in the song.

Alex Järvi – Dina Skor

“I actually did find myself waving my arms in the air.”

Tim: Alex here, singing about Your Shoes, or, rather, the fact that no-one can fill them. How sweet.

Tom: Good heavens, who picked those brass synth pads? They sound like a MIDI keyboard from the 90s. They could afford a choir, but they couldn’t afford an actual trumpet?

Tim: Oh, hush. We’ve almost two songs in one, here – the standard and fairly unremarkable verses, which fortunately make up a comparatively small amount of time, and then OH that GLORIOUS brassy chorus.

Tom: It is a wonderful, schlagery chorus, isn’t it? Full-on, hands-waving-back-and-forth, entirely predictable chord progressions. Not a complaint, that.

Tim: Oh, no – and during the middle of the final three choruses I actually did find myself waving my arms in the air. It’s a jubilant sound, which is somewhat bizarre given the lyrics: basic narrative is that she left him because he was a dick; he’s now saying that he’s getting off with new girls left right and centre, but none of them are quite as good so can she come back. TRIUMPHANT BRASS!

Tom: Amazing. I wonder if there’s anyone in the world that would work on?

Tim: I’ve been trying to think, to make a snarky comment, but nope, I’ve got nothing. To be honest, though, I don’t care that the sound doesn’t fit, because it’s bloody wonderful to listen to, and really just over all too quickly.

Tom: Just… maybe they should hire an actual brass section.