LÉON – Who You Lovin

“It really all does hang on that chorus working, doesn’t it?”

Tim: Nice one for you here from Sweden to start your week off; nothing to say about it in advance really, except: press play.

Tom: Huh. Starts slow, doesn’t it?

Tim: It does, yes, and so much so that I was a bit disappointed after that first chorus ended, a distinct sense of ‘is that it, are we back to the dull verse already?’, but no, of course we’re not. The second verse is bigger and bolder than the first, the second chorus lasts a decent amount of time, in for a middle eight, back out for a brief chorus and then that absolutely lovely closing instrumental section.

Tom: It really all does hang on that chorus working, doesn’t it? And I can see how a melody like that could grate. I’m not as convinced about the chorus as you seem to be, but sure, it’ll do.

Tim: Good, and that was pretty much my thought after I first heard it. It took me a couple of goes to get this – but then, since the chorus got stuck in my head immediately, I didn’t really care.

Tom: And for once, the aesthetic of the music video fits that: it does sound like the sort of melody and vocal timbre that would fit well in the 70s.

Tim: Yep, and despite all that sounding like a modern song as well. Yes, I stand my my ‘dull first verse’ assessment, but boy does that last closing section make up for it.

LÉON – Falling

“Finding out this was a four-minute track did not help my reaction.”

Tim: We’ve never featured LÉON (apparently the capitals are necessary) before, though she’s been going a while.

Tom: If you’re going to have a name that’s all in capitals like that, then in my head it’s going to be SHOUTED every TIME. Anyway, who’s LÉON?

Tim: She’s off Sweden, and her latest is this.

Tim: Want to break up, get back together, need to break up again, rinse and repeat until you get a fairly listenable track from it – a process that’s worked for many other acts, and I’m fairly sure it mostly works here as well, no?

Tom: I mean, it does, but that’s a load-bearing “mostly” in that sentence.

Tim: Well, yeah. Sure, we’ve competent vocals and a strong backing, but it doesn’t half sound a little bit slow, to the extent that even by the three minute mark I was thinking “blimey, are we not done yet?”.

Tom: That kicked in at two minutes thirty for me. Finding out this was a four-minute track did not help my reaction.

Tim: Aside from that, it’s fine: nice to listen to, wouldn’t complain about hearing it. Though I think that there is a textbook example of ‘damning with faint praise’, isn’t it?

Tom: Welcome to the club, Tim.