Saturday Flashback: Lisa Miskovsky – Another Shape Of My Heart

“Does it remind you of anything?”

Tim: So here’s something fun: semi-notable Swede Lisa Miskovsky recorded this and put it on her 2008 Greatest Hits album.

Tom: Good grief, I can’t tell whether that introduction’s a compliment or an insult. Anyway, yes, off the Greatest Hits album.

Tim: Indeed, but does it remind you of anything?

Tom: Not off the top of my head. Why – what’ve you got stuck on?

Tim: Oh, not stuck on at all, but check out the title, the lines “Hold me now don’t bother, if every minute it makes me weaker” and then have a listen to this particular Backstreet Boys track. Go on, I’ll wait.

Tom: I haven’t heard that song in years! I’d completely forgotten it. So, what, an odd cover version?

Tim: No, far more interesting actually: Lisa Miskovsky, primarily known for her singing of several lovely songs, especially this one, did a bit of writing back in the day, and came up with the main structure for Shape Of My Heart. She got in touch with Max Martin and Rami Yacoub, who said something along the lines of “ooh, that’s nice, we’ll have a go with that,” then fiddled around with it, and a few months later, the Backstreet Boys have what’s destined to be one of their biggest hits.

Another eight years later, though, our Lisa thinks, “actually, they changed that a LOT, let’s see what I can do with it,” and so we have this, a pleasing behind the scenes insight into the world of songwriting. Fun, no?

Tom: And you know what, I reckon this track’s better than the Backstreet Boys version.

Tim: You know, in a lot of corners of the internet, that’d get you in serious trouble; here, though? You’re not far wrong, and not least because of the chorus line that sounds like the main line of Labrinth’s Read All About It and has lyrics to ‘phasers around us,’ which sounds very exciting.

Lisa Miskovsky – Wild Winds

It’s lovely.

Tim: Lead single and title track from her upcoming album, this is. And it’s lovely.

Tim: The production is lovely, the singing is lovely, the backing sort-of-singing is lovely, all the tiny details buried in it are just lovely – it’s all gentle, peaceful and, well, lovely. This is the sort of track I like to put on, move over to another tab and have it as backing music. It’s just…well, it’s nice, isn’t it?

Tom: Oddly enough, that’s exactly what I did: after the intro, I put it into a background tab and promptly got distracted by other things. It’s… well, yes. I hate to overuse the word, but “lovely” pretty much sums it up.

Tim: Annoyingly, I can’t think of much else to say, possibly because this is just calming my brain down so much. It’s basically everything I want in a song like this – it’s meant to be a calming, peaceful track, and it manages that absolutely perfectly. I really can’t fault it at all – not even the fade-out ending, which here just seems to serve as a reminder to skip back to the beginning. Indefinitely.

Saturday Reject: Lisa Miskovsky – Why Start A Fire

Can you hear even one guitar note in any part of the song?

Tim: Two questions, Tom: what do you think of this, and can you hear even one guitar note in any part of the song?

https://www.youtube.com/watch?v=USUUwucrTzA

Tom: It’s okay but nothing special; and no. No I can’t. Which is interesting, because she’s clearly strumming it. Although I’m not sure she if ever changes the chord she’s holding.

Tim: Weird, isn’t it? But I ask what you think of it because Sweden was split on it – it went straight through to the final in its heat, but then came last in the phone vote on the night.

Tom: Interesting: a song that doesn’t grow on the audience over time.

Tim: My guess as to why? It’s almost novelty – not a weird or unusual track in itself, but it’s still got an ‘Ooh, what’s all this about?’ factor to it that got people voting the first time, but got people rejecting it the second time, either thinking ‘Yeah, we’ve seen this, bring on the next one’ or ‘Oh, come on, get to the exciting bit. What do you mean, there isn’t one? This is the final, it can’t just finish witho—oh. Apparently it can.’

Tom: Yep. It really can. It’s pleasant, but that’s all.

Tim: Actually, that may have sounded a bit harsh. It’s not dull or boring; it’s exciting enough for lots of things. It’s just not exciting enough for a Melodifestivalen final.And let’s just ignore that guitar. Because that seems to be what all but one of everybody involved in the song did.

Lisa Miskovsky – Got A Friend

The chorus: absolutely love it.

Tim: Hmm. When I first heard this, I loved it, and listened to it again and again and again. Then I started thinking about what I liked about it, and had a realisation.

Tom: Ooh, go on.

Tim: You see, the ‘na-na’ bits: not so keen on, as they leave me wanting more. The verses: ehh, take them or leave them – not particularly offensive, but they’re nothing to crow about. The chorus: absolutely love it. Yet overall, despite not not hugely liking most of it: still absolutely love it.

Tom: You’re absolutely right. It’s a fantastic chorus in need of a better song, isn’t it?

Tim: Pretty much, yeah. The rational part of me knows that the relatively short chorus is nowhere near good enough to make up for the less than inspiring na-na chunks, and so by rights I should think of this as okay at best, but somehow I love it. It just seems to go together and work properly.

Tom: I’m not that enthusiastic – but I will listen to it for that chorus, just one more time.