Why Don’t We feat. Macklemore – I Don’t Belong In This Club

“The word that comes to mind for this is ‘charming’.”

Tom: This played on the radio while I was driving. It’s catchy as hell, but I swear I’ve heard the chorus somewhere before. What on earth does it sound like?

Tom: Even without that: the word that comes to mind for this is “charming”. It’s not a theme I’ve heard before, but it’s properly relatable; the chorus is brilliant; and the music video is in no way self-aggrandising. Like I said: charming.

Tim: Yes. You’re right, it is a bit familiar, in a couple of places, but nothing that I can think of right now. It’s good, though, and very listenable, and yeah, charming works well.

Tom: And then there’s Macklemore, who somehow manages to do a rap bit that doesn’t sound terrible. Aside from the Uber and Red Bull brand shoutouts, but never mind.

Tim: See, the Uber thing I’m actually okay with – sure, it might sting a tad to hear but, for me at least, Uber’s become enough of a word in its own right, like ‘google’ meaning to search, that lyrically I’m okay with it. Red Bull I’ll let you have, though.

Tom: Now, I’ll grant you, the track’s probably a bit too long. It’s basically got three middle eights: Macklemore’s verse, the actual middle eight with a different melody, and the quiet broken-down piano-backed chorus. In a world where the middle eight is steadily going away and songs are getting shorter, that’s a bold move.

Tim: But I like that – the song’s almost four minutes long, but it’s varied enough that I never get bored of it.

Tom: I think it manages to be both interestingly different and immediately catchy, which is a rare thing in pop. Or I just really like whichever song it’s reminding me of.

Tim: Fair.

Macklemore feat. Kesha – Good Old Days

“Basically four minutes of musical blueballs.”

Tom: As there’s not much in the way of good European pop music being released at the moment, I thought I’d take us over and have a look at what’s coming out of the US. And I’ve picked this one, not because it’s representative of what we usually talk about…

Tom: …but because it could be so much better if it were a bit more European.

Tim: Oh yes?

Tom: Because I’m listening to it through our pop-music lens, that’s basically four minutes of musical blueballs. Slow start. Great intro verse from a brilliant singer. Military drums starting to build. And then…

Tim: UGH. Kesha’s singing is nice, but by the end of the first verse I wanted something more. Macklemore came on, the drums started, I thought YES, let’s BEGIN…but then nothing. Just a massive anti-climax.

Tom: This could be (should be?) a banger. Instead, it just drops down again for the hook, every time. And I realise that’s a deliberate decision, and it’s all emotional, and it’s probably the point, but in my head this should have CHOIRS and BRASS SECTIONS and VIOLINS and basically a WHOLE DAMN ORCHESTRA.

Tim: Oh God, now I’m imagining this with a massive choir behind it, and DAMN YOU Tom now you’ve made me realise even more how much better it could have been. DARN IT.