Tim: Last week we looked back at a pretty good Eurovision track; today, we’ll celebrate a duff Eurovision year by looking back at an astoundingly good one.
Tim: For the song itself, there’s not a lot to say. It is, obviously, outstanding, and there genuinely isn’t a moment in there I want to criticise – for me, it’s the perfect song to see on a Eurovision stage.
Tom: I, as ever, am slightly more hesitant: there are a couple of questionable notes in that first verse. And honestly, if a song could be improved by coming in on the first chorus — and this could — then they’ve stuffed up the introduction completely.
Tim: Oh, I strongly disagree – that intro is exactly what it needs to be.
Tom: That said, completely agree with you, everything after the first chorus is gold.
Tim: Let’s look at that stage, then, and the other production elements, as there’s so much to take apart. Firstly, that’s a hell of a good camera effect to pull off live, and it took me a while to work out exactly how they might be doing it. Second, the backing singers! Why have them all on stage from the start when you can introduce them two at a time, give them the respect they deserve? The two guys in suits look a little odd, but never mind them. And finally, the key change. If fire and sparks are the best way to announce a key change, then a sudden explosion of lasers is surely number two. That’s the moment, right there, when I thought, “YES, this song is a winner.”
Tom: Which might have been true in 1999, the last time she won: there was an equally brutal key change there. You might think that’s a winner, but…
Tim: But Europe didn’t agree, sadly – ended up coming just 18th, after graduating from its semi only thanks to the jury wildcard, but we’ve said before that democracy is a failed experiment. Truly, a Eurovision great.
Tom: We can both remember it, years later: that’s probably the strongest argument for it as a song.
Tim: Fun Eurovision 2008 anecdote, while we’re here: I co-hosted a student radio show on the Friday where we played through all the tracks and discussed them briefly; turned out we misjudged the timing a bit and ended up playing Turkey and Ukraine simultaneously. Won’t lie to you: still sounded better than some of the other tracks.